Based on The Secret Garden by Frances Hodgson Burnett (published in 1911), this modern Edwardian styled wedding shoot is a perfect harmony of traditional and contemporary elements brought together with sheer glamour and sophistication. Planned and designed by Hanami Dream and wonderfully captured by Squib Photography.
This elegant and delicate wedding is set in the grounds of a local English Manor House in the Oxfordshire Cotswolds of the UK (also used in the filming of another 1910s drama, Downtown Abbey). The lush greenery of a walled garden is discovered behind a secret locked door and its unseen natural beauty is unearthed after being concealed for many years.
Complete with an intimate ceremony on the croquet lawn, drinks in a secluded corner of the garden, followed by a celebration in a stunning Cotswold stone barn, this wedding features modern twists on traditional wedding styles with a real sense of rejuvenation.
With clear acrylic ‘stationery’ and signage with white brush lettering (where the greenery of the garden can be seen through), a hoop bouquet, a fresh take on the time-honoured wedding dessert of a croquembouche, vintage pearl details, antique keys and a friendly robin redbreast motif. Mary and Colin would be proud to attend this stylish wedding.
The colour palette is soft and understated so nothing distracts from the abundance of sumptuous cascading foliage. White is accented with hints of pink Pale Dogwood and plenty of the Colour of the Year of Greenery. There’s a definite nod to the Pantone® Spring/Summer 2017 colours with some subtle inclusion of blues (a navy Lapis for the groom’s suit and a denim Niagara of the manor house internal doors), Hazelnut and more greenery in the form of Kale.
Cogges Manor Farm was the ideal location for this wedding with its very essence in this era. It is nestled in the lovely market town of Witney and offers two stunning seventeenth century barns as well as a beautiful walled garden, stunning grounds and an impressive Manor House as a remarkable backdrop.
The couple got ready in the peaceful setting of the Manor House, strolled romantically through the walled garden, encouraged their families to ‘choose a seat not a side’ on vintage chairs (from Linda’s Vintage Hire) on the croquet lawn, and enjoyed the perfect blank canvas of the Barley Barn where modern, personalised details make this wedding complete.
Hanging from one of the impressive beams is a large rustic wooden cartwheel from Oakwood Events, adorned with greenery along with stylish bulb cages around Edison type filaments, plus some added alliums (from Lark Rise Flowers).
The top table is awash with greenery running down the whole of the table and spilling off the ends to the floor, courtesy of Lark Rise Flowers. Plus, the fragrance of the foliage was a delight to the senses with hosta, hedera, honeysuckle, laurel and hebe. Along with gentle inclusion of white flowers in the form of campanula, astilbe, lady’s mantle, sweet william, viburnum, rambling rose, helleborus seedheads and valeriana.
The sturdy wooden table, along with vintage chairs from Linda’s Vintage Hire, is set simply with white crockery and silver cutlery, plus clear acrylic menus sit on green moss. Alongside each setting is a clear acrylic place name (with guest names paying homage to the character names from the book) attached to vintage keys, along with favours of charming wooden robins by Muffat Prague.
Guests are directed around the farm with stylish clear acrylic signage and find their places by referring to the reclaimed window pane table plan with white brush lettering thanks to The Paper Hare, completing the stationery suite of clear acrylic invitations and clear acrylic table number tubes.
In the garden, the couple relax and enjoy a smooth glass of brandy whilst listening to the gramophone and admiring the remarkable cake by Cotswold Baking, a reintroduction of a traditional wedding dessert. This impressive croquembouche plays on the trend of wedding cake alternatives and sits on top of a plain white cake. The choux balls are decorated with edible pearl balls of varying sizes.
The bride chicly carries a hoop bouquet by Lark Rise Flowers leaving a beautiful scent of jasmine wherever she sashays. She has strong smoky eyes, pinched cheek blush and barely-there pale lipstick reminiscent of the times and beautifully recreated by Blushing Brides.
Her hair is ornamented with a delicate pearl hair vine by Designed to Sparkle and gathered up to reveal the breathtaking backless dress.
She perfectly fits the glamourous, champagne coloured bridal gown, made from Lux Charmeuse, featuring a high neckline, flutter sleeves, low back, attached silver beaded waistline and godet train by Justin Alexander, provided by Proposals of Witney. This 1910s styling is teamed with a multi-strand bracelet and necklace by Designed to Sparkle, made with navette set Swarovski crystal stones and pearls, in creamrose light shade.
The suave, slicked-back groom suited the era with a blue three-piece suit made from a British fabric 100% wool, cut in a traditional style but more modern in shape from The Cotswold Tailor.
It’s the little details that bring any event to life and this was made possible by the wonderful local suppliers who provided their time, services, venue and products for free. Together we have showcased the amazing talent that our part of the UK has to offer the wedding industry.
A beautiful Saturday in April 2015 saw the wedding of Erica and Ruby at Cogges Manor Farm.
Photography by Tom Weller
Photography by Tom Weller
Photography by Tom Weller
Photography by Tom Weller
Photography by Robin Smith
Cogges Manor Farm is nestled in the lovely market town of Witney and offers two stunning seventeenth century barns for weddings. They were a perfect blank canvas to add loads of personalised details to the day with vintage books, afternoon tea, lots of handmade touches and accents of yellow. This wonderful vintage literary wedding was captured by a number of professional photographers (who are also close friends of the couple) who each had a different section to cover throughout the day.
The couple hadn’t heard about this wonderful venue until Erica’s sister sent them a link to Cogges’s website. They instantly fell in love with the barns when they went to see them and booked their wedding date on the spot! And from there, they produced a beautiful, creative, DIY budget rustic barn wedding. It came complete with hay bales, bunting (kindly loaned from friends & family) and the Cogges chickens running around.
Most things were either handmade, collected or sourced by the couple or their family and friends. They even held a craft session at a local pub and invited their friends and family to stamp out thousands of cat and tea pot shaped confetti from old books. They hand made photo bunting from photographs of themselves over the 5 years they’d been together, as well as hand made centrepieces of brown ale bottles (with brown string wrapped around the necks adorned with buttons), and beautiful handmade paper flowers (again from old book pages) that they held as alternative bouquets too.
The brides both made a great entrance in to the barn. Not only were their outfits stunning, with Erica’s wedding outfit (of trousers & waistcoat) handmade from design to finished garment by the amazing local Oxfordshire wedding dressmaker, Geraldine Jarell of Oxford Frocks. But they also both walked into the barn from opposite large barn doors. They were escorted by their respective fathers and walked a mesmerising figure of 8 around their 100 guests seated on hay bales. The couple met in the middle of the barn, surrounded by all their friends and family, and had an enchanting ceremony complete with the lighting of a candle.
There were lots of personal touches to decorate the barn, such as a stack of Beatrix Potter books that Erica was given as a child by her aunt (who sadly couldn’t make it from Canada on the day). There was also an old gramophone that belongs to Ruby’s dad which played records of Eva Cassidy and the like during the reception drinks in the walled garden.
Photography by Tom Weller
Afterwards, the guests were treated with a ‘don’t judge a book by it’s cover’ themed wedding favour. As they came back in to the barn, they helped themselves to a surprise book. These were a job lot of paperback books bought from eBay and each wrapped in a brown paper parcel and stacked on a table. This gave people something to chat about at their tables before and during their afternoon tea. Many people told the couple after the wedding that the book they chose was perfect for them!
Afternoon tea has featured in this couple’s story for a while as Erica proposed to Ruby at Jane’s Enchanted Tea Garden in Oxfordshire on 29th March 2014 (the day that gay marriage was legalised). So it is fitting that afternoon tea was also the theme of their wedding day, utilising vintage mismatched china that they had collected over a year. They visited numerous charity shops and car boot sales accumulating enough tea sets to host afternoon tea for 100 guests. The afternoon tea was served inside the Wheat Barn on rustic picnic benches (Ruby wanted to avoid white table cloths at all costs!) And now all of this china is used to serve loose leaf teas and hot chocolate in their own pottery cafe, Busy Brush Café in Wallingford. Delicious sandwiches, scones and cakes accompanied their afternoon tea.
Guests were encouraged to leave a finger print on an alternative guest book tree picture, plus write a personal message to the couple on vintage postcards left in a vintage suitcase.
A beautiful ‘Thank You Tree’ was displayed in the barn with luggage tags carrying messages to thank family & friends that had helped them – from solo singing during the ceremony, to loaning fairy lights that made the barns twinkle, to taking photos at the wedding, the endless search for China teapots etc. They borrowed the tree itself from their friend Anita who owns Country Collections shop in Wheatley.
In the evening, the guests were spoilt with some of the ‘best jacket potatoes you’ve ever tasted’, cooked in an old Victorian Oven out on the veranda. Plus, the wedding cake was actually a 1.5m high cake stand stacked full of jars of retro sweets that people could nibble on throughout the evening.
Then came a brilliant spectacle as the couple’s first dance was a flash mob dance where Erica and Ruby started dancing alone to Happy by Pharrel Williams. Then 5 friends, one by one, jumped into a well learnt dance routine. Mid way through the song lots of other guests got up and joined in too. What a wonderful way to take the pressure off everyone looking at the couple and so much fun!
After this the happy couple didn’t leave the dance floor and enjoyed the songs of a local Witney band, Vinyl Daze, well into the night.
This vintage literary afternoon tea wedding proves that with some personal touches, great friends, time and creativity, a beautiful barn wedding can be produced without breaking the bank.
Photography by Thomas Phillips
Photography by Thomas Phillips
Photography by Tom Weller
Photography by Robin Smith
Photography by Tom Weller
Photography by Thomas Phillips
Photography by Robin Smith
Photography by Nick Bradbury
Photography by Tom Weller
Photography by Nick Bradbury
Photography by Tom Weller
Photography by Tom Weller
Photography by Nick Bradbury
Photography by Tom Weller
Photography by Tom Weller
Photography by Thomas Phillips
Photography by Tom Weller
Photography by Nick Bradbury
Photography by Tom Weller
Photography by Tom Weller
Photography by Thomas Phillips
Photography by Thomas Phillips
Photography by Tom Weller
Photography by Thomas Phillips
Photography by Robin Smith
Photography by Thomas Phillips
Photography by Thomas Phillips
Photography by Mark Carroll
Photography by Tom Weller
Photography by Alan Glasspool
Photography by Alan Glasspool
Photography by Thomas Phillips
Photography by Thomas Phillips
Venue | Cogges Manor Farm | Witney, Oxfordshire | www.cogges.org.uk Photography | Nick Bradbury | Mark Carroll | Alan Glasspool | Thomas Phillips | Robin Smith | Tom Weller Bride’s outfit | trousers & waistcoat | made by Geraldine Jarell | Oxford Frocks Flowers | handmade Hay bales | provided by venue Thank you tree | Country Collections , Wheatley | https://www.facebook.com/Country-Collections-762549283781067 Band | Vinyl Daze | www.vinyldaze.co.uk
Imagine planning your wedding without the internet, without your smart phone, or without Pinterest! Goodness, imagine if you didn’t even have a ball point pen to quickly jot down ideas in a notebook! Rewind a hundred years and you’d be planning a wedding without technology and the advancements we are lucky to have nowadays.
However the 1910s did see the invention of some amazing things that we now take for granted like the bras that we wear and anything with a zip. Thanks to the inventions of that decade we don’t have to be without electricity in our homes, telephones, fridges, vacuum cleaners, plasters, stainless steel, tea bags, instant coffee, pyrex and pop up toasters. Transport wise the 1910s saw amazing firsts for flying machines and motor cars becoming more widespread. Plus for entertainment the first crossword puzzle came about in the 1910s as well as hand cranked movie cameras, neon lighting and fortune cookies.
I’ve recently been thinking about this era as my mother has been researching our family history and came across an amazing photograph of my grandfather’s parent’s wedding from 1911. We were amazed at the grandeur of their wedding considering that they both worked in service and so wouldn’t have been able to afford such a grand wedding.
Think Downtown Abbey or Upstairs Downstairs. My ancestors would have definitely been the ‘downstairs’! The 1911 census said that one out of every seven employed persons was a domestic servant. Yet despite their position, their wedding was quite a lavish affair. My Grandad often said he thought that the ‘upstairs’ helped with the wedding and also that the chief bridesmaid’s employer helped too.
Their wedding certificate said that they lived in Scott Ellis Gardens. This was a stone’s throw away from St John’s Wood in London, home of Lord’s Cricket Ground and near the famous Abbey Road studio. Scott Ellis Gardens was built on land owned by Lord Howard de Walden.
Their wedding took place on 5th June 1911 at St Mark’s Church, Hamilton Terrace, NW8. It was on a Monday, which according to the traditional rhyme was said to mean the bride would be healthy (watch out for more on wedding traditions and superstitions in future blog posts) and the bride was driven there by coach and pair (a coach drawn by a pair of horses). What struck me about the date is that it is almost exactly 100 years before my own wedding on 5th August of 2011.
1911 was a time before any world wars, when there was no NHS, no vote for women and you could’ve gone out to work at 13 years old. It saw the launch of the ocean liner RMS Titanic in Belfast (which we know didn’t enjoy the happiest of voyages), there was a big heatwave, as well as the Coronation of George V in June.
My Great Grandad, Albert Edward Wagstaff was 20 at the time of his wedding and worked as a woollen warehouseman at a large firm called Holland and Sherry in London. He married my Great Nan, Sophie Elizabeth Piggott who was 22. They were at least a decade younger than the age I was when I walked down the aisle, although they were relatively old to marry in those days.
How different my dress looked compared to my Great Nan’s. Hers was a long sleeved, high necked and flowing gown versus my strapless, sleeveless, tight fitting dress. Her bridesmaids wore flowers on broad brimmed hats and wore their own Sunday best outfits, versus my bridesmaids with sophisticated chignons and custom made dresses for the day. My Great Nan had a floral crown, which wasn’t a trend when I got married 4 years ago, but is already having a revival now. One thing that I was keen to mirror was to have a big bouquet which my Nan in the 1940s also had on her big day.
The men were wearing their best suits (which didn’t match with each other) and we can see that the tradition of buttonholes hasn’t altered much in 100 years. However my Great Grandad does look particularly dapper. He handled very good quality materials at work (mostly in suitings for gentlemen and ladies costumes) and was often able to buy remnants. So he always had very good suits made for himself and beautiful costumes for his wife. Perhaps this is why they look so smart on their wedding day.
I love looking at how weddings have changed over the years and also how some traditions have continued to be upheld. (Take a look at our Wedding time capsule post for details of other trends.) Despite the technology and tools we have nowadays, our wedding photos don’t look too dissimilar to those of a hundred years ago and weddings remain constant events in our society with many common and recurring features. Maybe things haven’t changed too much in the last 100 years after all.
Back row (left to right): William (Albert’s older brother), the groom Albert Edward, William (Albert’s father), 2 ladies unknown, Frank (Albert’s youngest brother who went missing in the war)
Middle row: Avis (Albert’s sister), Jinny (Albert’s sister), the bride Sophie Elizabeth, Ruth (best friend and chief bridesmaid who was a cook at the Royal Sussex County Hospital in Brighton), Avis (Albert’s mother who my own Grandad was terrified of her and called the Countess!)
Front row: children unknown
This post is dedicated to my Grandfather who sadly passed away this month aged nearly 92. He was an inspirational man and played an important and influential part of my life. He was kind, generous, wise, fun loving and always thinking of others.
Over the years, Grandad’s moving speeches (and bright orange shirts) were always so poignant and he would always end a speech by saying how proud we had made him. On this occasion, I feel I’m allowed to say that Grandad did us proud.
One of my friends recently inherited something really precious. I think it’s more valuable than jewels or antique furniture. This heirloom is a time capsule. A priceless glimpse throughout the ages. A lovely family photo album that belonged to her father’s godmother.
The album covers weddings, christenings, graduations and some pictures of trips to visit friends and family. It charts these special occasions from the 1940s up to the 1990s and she arranged the pages so there is a wedding photo of a couple, and then a picture of the same couple at their child’s christening, graduation and often their children’s weddings too. It was clearly something that she treasured to keep all that time and to keep updating.
Whilst I don’t know any of the people in the album (apart from my friend), you can clearly see a family resemblance between the people on each page. More strikingly is how much each wedding photo is a time capsule for dresses (material, styles, length and colours) along with bouquets, veils and hair styles. They are an exaggerated example of fashion trends of their day and epitomise moments in time. We find that some decades have common trends such as:
1920s – Flapper style low waist, straight, flowing, lace dresses showing a bit of ankle. Bob hair cuts with hair accessories and head pieces.
1930s – Slim-hipped, long, simple, column dresses made from beaded, luxe fabrics, often with lavish embellishments.
1940s – War time shortages led to non-rationed net curtain or parachute silk, full skirted dresses. Or nice skirt suits. Big bouquets and wedding bands for absent husbands.
1950s – Rising hemlines and shorter veils meant shoes were more important. Sweetheart necklines, under lace, full skirted, small waisted, tea length dresses worn with gloves.
1960s – High waisted, empire line or A line mini dresses plus pill box hats with veils.
1970s – Hippy style, long sleeved, high necked, longer length dresses. Or trouser suits with big floppy hats.
1980s – Fairy tale, voluminous, princess gowns with puff sleeves and long trains worn with floral crowns.
1990s – Corseted off the shoulder dresses with full skirts vs bias cut, sheath dresses.
2000s – Strapless, sleeveless dresses.
2010s – Figure hugging, illusion backed, mermaid style dresses vs Hollywood split or pick up skirts.
We’ve captured some of these characteristics of wedding attire for each decade on our wedding time capsule Pinterest board. Plus there’s currently an exhibition running (until 15 March 2015) at the V&A in London that’s well worth a visit. It’s called Wedding Dresses 1175-2014 and looks at 300 years of bridal fashions.
What’s interesting is that trends tend to come back around again. And this decade seems to be about picking what style you want from the past and merging things together to bring your own dream to life. I, for one, really wanted a big bouquet just like my late grandmother had at her wedding in 1948. Plus a long train and long veil like a 1980s princess but strapless, figure hugging with a pick up style skirt as is common in this millennium.
It is strange looking back at some pictures from the recent past as the ones from the 1980s and 90s seem dated, whilst ones from the 1940s or 50s look relatively tasteful by comparison and more unaligned with current styles. Are some eras too recent for us to be able to appreciate for inspiration yet? Or is it that black and white photos are kinder? In any case our children will no doubt look back at our wedding photos and laugh at the fashions of the day. One thing that really struck my friend was the poignancy of the wedding photos from during or just after the war in the photo album. We can not imagine what it must have been like to live through a world war as a young couple, separated from each other.
There’s certainly something special and different about having photos from all the weddings and special occasions you’ve ever been to in your life together in one album. Nowadays digital photography often means that we don’t even print out any photos. Considering that for many, big occasions (like weddings and christenings) are the only times when people see their extended family. So it seems fitting that these momentous occasions are captured in time to pass to others as a wonderful time capsule.
